« Finally, on the edge of a black urn, a piece of pre-Columbian ceramic is placed, which works like a gap towards the past: the one that precedes the arrival of the settlers in the «Nuevo Mundo», and the childhood in Chile of Nathalie Perret. The round bellies of these funerary objects contain a collective and singular memory. These forms ultimately look at us with curiosity, vain and slashed, sumptuous and cracked. »
Text written by Clélia Barbut.